VIDEO-ESSAY. Having won the Palme d’Or in 2017, it is no surprise that Ruben Östlund draws from other prizewinning directors like Michael Haneke and Roy Andersson. But you wouldn’t expect a Palme d’Or-winning director to find stylistic inspiration in skiing films and on YouTube. Mathias Bonde Korsgaard traces the unlikely origins of Östlund’s long-take style.
IN ENGLISH. Even before its release Kleber Mendonça Filho’s Aquarius (2016) became the centre of heated and public debate in Brazil, not least due to a protest at the 2016 Cannes Film Festival condemning the impeachment of Dilma Rousseff. In this feature, Steffen Hven explores how the film’s own conveyance of (political) resistance is far more subtle, mature, and nuanced than the turmoil surrounding its release would suggest.
FEATURE. The showrunner David Simon was a central flagship for HBO, when they revolutionized the TV-landscape in the beginning of the 2000s, and even in the highly competitive streaming landscape of today he continues to create relevant drama series that often utilize the past to comment on the present. In this interview, Simon talkes about his approach to realism and long-form storytelling and his views on the changes in American society and the American TV landscape.
There are many more features, reviews, and anatomies in English in our extensive archive covering the period 2003-2013.
Did you know that Jesse Armstrong screened "Festen" for his entire crew before shooting the first season of "Succession" – or that the visual style was inspired by Annie Leibovitz and her famous photojournalism? And did you know that the visual style in "The White Lotus" was inspired by the Madonna Inn and local artworks featuring Hawaiian workers in the pineapple fields? Find out more in this interview-based article about the cinematography and visual design in two of the most interesting TV series from 2021? N.B.: The article contains spoilers.