Seneste artikler

EN SCENES ANATOMI. I sin anden artikel fra Cannes 2017, kigger Andreas Halskov nærmere på Michel Francos mexicanske film La hijas de abril, der blev vist udenfor hovedkonkurrencen. Det giver anledning til en en billedanatomi med udgangspunkt i filmens elegante åbningsindstilling.

FILMANMELDELSE. I den første af fire artikler fra dette års Cannes festival anmelder 16:9's udsendte, Andreas Halskov, to film fra hovedkonkurrencen, der på vidt forskellig vis hylder den franske nybølge og Godard i særdeleshed.

INTERVIEW. After cutting his teeth as a filmmaker with a series of acclaimed documentaries for the BBC during the 1990s, Pawel Pawlikowski (born 1957) was named Most Promising Newcomer by BAFTA for his feature début Last Resort (2000); the follow-up, My Summer of Love (2004), won the BAFTA award for Best British Film of the Year. But neither picture felt obviously British, since each reflected a border-zone existence (literal or figurative) in a sometimes beautiful, sometimes horrific country. Indeed, both of these films are imbued with the sometimes wry, often sardonic spirit of the Czech New Wave of the 1960s; accordingly, each is less a convoluted narrative than a fable-like character study more preoccupied with the “unrepeatable” moments offered by idiosyncratic actors than with the idolization of glamorous stars.

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