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VIDEO-ESSAY. David Lynch’ films are full of paradoxes, and in this video-essay Andreas Halskov deals with two of the Lynchian paradoxes (the genre paradox andthe register paradox), as seen in three of David Lynch’s famous productions: Blue Velvet (1986), Twin Peaks (ABC, 1990-1991) and Wild at Heart (1990).

IN ENGLISH. The animated version of Snow White, produced by Fleischer Studios in 1933, possesses a richly multifaceted oddness. It is a bizarre film full of digressions and inconsistencies, humorously riffing on the original fairytale. Ethan de Seife analyses this wonderfully bizarre film, which combines musical digressions with elements of both surrealism and realism.

ET BILLEDES ANATOMI. Ruben Östlunds De ufrivillige fra 2008 er en stilistisk stringent film, hvor der aldrig klippes internt i den enkelte scene, og hvor kameraet aldrig bevæger sig. Så meget desto mere overraskende er det ene moment i filmen, hvor vi konfronteres med hvad der ved første øjekast ligner en kamerabevægelse – men viser sig ikke at være det alligevel …