Camera Movement in Narrative Cinema

VIDEO-ESSAY. In this visual essay Jakob Isak Nielsen takes a closer look at the contribution of camera movement to “the language of cinema”. He suggests that any camera movement will serve one or more six proposed functions.

iZombie: The New Voice of the Zombie Apocalypse

IN ENGLISH. Zombies have never been more popular than in twenty-first century media as they spread virally from cinema and computer games to graphic novels and television. With each new incarnation, they undergo a transformation, sometimes subtle and sometimes drastic, but these changes impact upon how we engage with and understand the zombie. Stacey Abbotts investigates this phenomenon, focusing on one modern zombie series: iZombie (CW 2015-).

Audience involving strategies in Sherlock

VIDEO-ESSAY. Fans of the BBC’s Sherlock very actively have taken the show to their hearts. How does Sherlock succeed in involving its worldwide audiences in the show? In this video-essay Palle Schantz Lauridsen examines audience involving strategies within and around the show.

Unsung Heroes and Silent Pioneers: An Interview with Sound Designer Walter...

IN ENGLISH. Preparing a book on sound design in films and television, Andreas Halskov has talked with Walter Murch about film sound, listening and technology, focusing on Murch’s sonic inventiveness and his long-standing collaborations with George Lucas and Francis Ford Coppola.

The Bizarreness of Snow White

IN ENGLISH. The animated version of Snow White, produced by Fleischer Studios in 1933, possesses a richly multifaceted oddness. It is a bizarre film full of digressions and inconsistencies, humorously riffing on the original fairytale. Ethan de Seife analyses this wonderfully bizarre film, which combines musical digressions with elements of both surrealism and realism.

The Design Program and Color Palette of Tinker Tailor Soldier Spy

IN ENGLISH. An unlikely route to originality: see how the unusual visual design and color pallette of Tinker Tailor Soldier Spy is inspired by Erwin Fieger’s photographs.

Touching the Colour and Sound of Your Body’s Tears: Affect...

IN ENGLISH. The original cycle of giallo films were infamous for their scenes of murder presented in lurid and graphic detail. Although dismissed at the time as exemplifying the traits of ‘bad’ filmmaking, these films have since become highly influential. Lindsay Hallam argues that the neo-giallo focuses less on recreating a giallo narrative, and more on evoking sensory responses through vivid colour schemes, psychedelic soundtracks, and visceral imagery.

Master of None, Atlanta, and Audience Engagement in Contemporary US TV...

IN ENGLISH. How do contemporary television distribution methods and consumption practices influence TV comedies? How are texts, production routines and ways of engaging the audience reshaped? Critically acclaimed TV series Master of None (2016-) and Atlanta (2016-) are good examples of such deep tranformations, leading to a reinvention of the comedy genre.

Godard in Wall-eyed 3D

IN ENGLISH. Godard’s 3D-film Adieu au langage (2014) shapes a new cinematic aesthetic of 3D that is decidedly non-immersive. Placing the film in the history of Godard’s cinema and in the history of 3D cinema, Mathias Bonde Korsgaard argues that the film at once points to a potential crisis of the 3D film as well as its radical artistic possibilities.

‘Girls Are the New Men’: An Interview with Pawel Pawlikowski

INTERVIEW. After cutting his teeth as a filmmaker with a series of acclaimed documentaries for the BBC during the 1990s, Pawel Pawlikowski (born 1957) was named Most Promising Newcomer by BAFTA for his feature début Last Resort (2000); the follow-up, My Summer of Love (2004), won the BAFTA award for Best British Film of the Year. But neither picture felt obviously British, since each reflected a border-zone existence (literal or figurative) in a sometimes beautiful, sometimes horrific country.