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Hvad er det værd? Fem principper for public service-indhold på sociale medier
Feature

Hvad er det værd? Fem principper for public service-indhold på sociale medier

Jens Haaning -
0
The Origins of Ruben Östlund’s Long-Take Style
In English

The Origins of Ruben Östlund’s Long-Take Style

Mathias Bonde Korsgaard -
0
Master of None, Atlanta, and Audience Engagement in Contemporary US TV Comedy
In English

Master of None, Atlanta, and Audience Engagement in Contemporary US TV Comedy

Luca Barra -
0
Returning, Recycling and Remixing: Cut-up and Collage in Twin Peaks: The Return
Media

Returning, Recycling and Remixing: Cut-up and Collage in Twin Peaks: The Return

Andreas Halskov -
0
Bikinibabes og automatvåben i neonland
Feature

Bikinibabes og automatvåben i neonland

Peter Raagaard -
0
Touching the Colour and Sound of Your Body’s Tears: Affect and Homage in the Neo-Giallo
In English

Touching the Colour and Sound of Your Body’s Tears: Affect and Homage in the Neo-Giallo

Lindsay Hallam -
0
Øjnene der ser: Overvågning, magt og ret i science fiction-filmen
Feature

Øjnene der ser: Overvågning, magt og ret i science fiction-filmen

Peter Ole Pedersen -
0
“A Monster for the Ages”: Anton Chigurh and the Image of Evil
In English

“A Monster for the Ages”: Anton Chigurh and the Image of Evil

Jens Kjeldgaard-Christiansen -
0
O mother! What Art Thou?
Anmeldelse

O mother! What Art Thou?

Søren Søberg Poulsen -
0
Skeletter i maskinen
Feature

Skeletter i maskinen

Kasper Lauritzen -
0
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