{"id":9228,"date":"2020-09-20T17:39:17","date_gmt":"2020-09-20T15:39:17","guid":{"rendered":"http:\/\/www.16-9.dk\/?p=9228"},"modified":"2022-06-20T13:45:16","modified_gmt":"2022-06-20T11:45:16","slug":"american-crime-2","status":"publish","type":"post","link":"http:\/\/www.16-9.dk\/3\/2020\/09\/american-crime-2\/","title":{"rendered":"169 Seconds: Mastering Dialogue &#8211; <em>American Crime<\/em>"},"content":{"rendered":"\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"169 Seconds\" src=\"https:\/\/player.vimeo.com\/video\/459311727?dnt=1&amp;app_id=122963\" width=\"696\" height=\"392\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h5 class=\"wp-block-heading\">David Chase once described television as a \u201cprisoner of dialogue,\u201d and dialogue scenes are still, to this day, a central and predominant part of many TV series. In some TV series, however, there is an experimental approach to dialogues \u2500 an approach that breaks with the traditional <em>master shot technique <\/em>and the conventional privileging of voices and words. In this audiovisual essay \u2500 the first example in a new line of condensed audiovisual breakdowns called <em>169 Seconds \u2500<\/em>Andreas Halskov illustrates the alternative approaches to dialogues and staging in <em>American Crime <\/em>(ABC, 2015-2017).<\/h5>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-text-align-center\"><strong>* * *<\/strong><\/p>\n<\/blockquote>\n\n\n\n<h2 class=\"wp-block-heading\">Facts<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Credits<\/h3>\n\n\n\n<ul><li>Script and narration: Andreas Halskov<\/li><li>Editing: Jan Oxholm<\/li><li>Title Design: Thomas Schwartz Larsen<\/li><li>Music: Mathias Bonde Korsgaard <\/li><li>Case: John Ridley, <em>American Crime <\/em>(ABC, 2015-2019)<\/li><\/ul>\n\n\n","protected":false},"excerpt":{"rendered":"<p>169 SECONDS. In the first example of our new audiovisual format, <em>169 Seconds<\/em>, Andreas Halskov presents a condensed analysis of the alternative and experimental dialogues in <em>American Crime<\/em> (ABC, 2015-2017).<\/p>\n","protected":false},"author":2,"featured_media":9230,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[227],"tags":[330,321],"_links":{"self":[{"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/posts\/9228"}],"collection":[{"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/comments?post=9228"}],"version-history":[{"count":0,"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/posts\/9228\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/media\/9230"}],"wp:attachment":[{"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/media?parent=9228"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/categories?post=9228"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/tags?post=9228"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}