{"id":3987,"date":"2017-02-21T16:26:29","date_gmt":"2017-02-21T14:26:29","guid":{"rendered":"http:\/\/www.16-9.dk\/?p=3987"},"modified":"2020-05-22T15:19:42","modified_gmt":"2020-05-22T13:19:42","slug":"its-not-tv-its-art-tv","status":"publish","type":"post","link":"http:\/\/www.16-9.dk\/3\/2017\/02\/its-not-tv-its-art-tv\/","title":{"rendered":"It\u2019s not tv, it\u2019s art-tv"},"content":{"rendered":"\n<figure class=\"wp-block-embed-vimeo wp-block-embed is-type-video is-provider-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/204924269?app_id=122963\" width=\"696\" height=\"392\" frameborder=\"0\" title=\"It&#039;s not tv, it&#039;s art-tv\" allow=\"autoplay; fullscreen\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h5 class=\"wp-block-heading\">I 2003 brugte den amerikanske filmhistoriker Kristin Thompson begrebet art-tv om tv-serien <em>Twin Peaks<\/em>. Aktuelle serier som <em>Mr. Robot<\/em>, <em>The Leftovers<\/em> og <em>The Knick<\/em> f\u00f8rer arven fra David Lynch\u2019s v\u00e6rk videre, og udfordrer seeren gennem deres eksperimenterende brug af bl.a. <em>long takes<\/em>, musik og montageklipning.<\/h5>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-text-align-center\"><strong>* * *<\/strong><\/p>\n<\/blockquote>\n\n\n\n<h2 class=\"wp-block-heading\">Fakta<\/h2>\n\n\n\n<ul><li>Manuskript:\u00a0Henrik H\u00f8jer<\/li><li>Produktion og klipning: Jan Oxholm<\/li><\/ul>\n\n\n\n<p>Udsnit fra:\u00a0<em>Miami Vice<\/em> (Anthony Yerkovich 1984-1989, episode 2.1, NBC), <em>Twin Peaks<\/em> (David Lynch, 1990-1991, episode 1.2, ABC), <em>Force majeure<\/em> (Ruben \u00d6stlund, 2014, Beofilm), <em>Requiem for a Dream<\/em> (Darren Aronofsky, 2000, Artisan Entertainment), <em>The Passenger <\/em>(Michelangelo Antonioni, 1975, MGM)<em>, Oz<\/em> (Tom Fontana, 1997-2003, 1.1, HBO), <em>The Sopranos<\/em> (David Chase, 1999-2007, episode 1.1, HBO), <em>Mr. Robot<\/em> (Sam Esmail, 2015-, episode 1.3 og 2.1, USA Network), <em>The Leftovers<\/em> (David Lindelof og Tom Perrotta, 2014-, episode 1.8, HBO), <em>Daredevil<\/em> (Drew Goddard, 2015-, episode 1.2, Netflix), <em>Transparent<\/em> (Jill Soloway, 2014-, episode 2.1, Amazon), <em>The Knick<\/em> (Steven Soderbergh, 2014-, episode 1.8, Cinemax).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>VIDEO-ESSAY. I 2003 brugte den amerikanske filmhistoriker Kristin Thompson begrebet art-tv om tv-serien <em>Twin Peaks<\/em>. I sit video-essay argumenterer Henrik H\u00f8jer for at aktuelle serier som <em>Mr. Robot,<\/em> <em>The Leftovers<\/em> og <em>The Knick<\/em> f\u00f8rer arven fra David Lynch videre og udfordrer seerne gennem eksperimenterende brug af bl.a. long takes, musik og montageklipning.<\/p>\n","protected":false},"author":5,"featured_media":3996,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[227],"tags":[61],"_links":{"self":[{"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/posts\/3987"}],"collection":[{"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/comments?post=3987"}],"version-history":[{"count":0,"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/posts\/3987\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/media\/3996"}],"wp:attachment":[{"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/media?parent=3987"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/categories?post=3987"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/tags?post=3987"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}