{"id":3259,"date":"2016-05-01T19:30:48","date_gmt":"2016-05-01T17:30:48","guid":{"rendered":"http:\/\/www.16-9.dk\/?p=3259"},"modified":"2020-05-22T16:05:44","modified_gmt":"2020-05-22T14:05:44","slug":"femo","status":"publish","type":"post","link":"http:\/\/www.16-9.dk\/3\/2016\/05\/femo\/","title":{"rendered":"FEMO: Fire veje til filmiske frames"},"content":{"rendered":"\n<figure class=\"wp-block-embed-vimeo wp-block-embed is-type-video is-provider-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"FEMO: Fire veje til filmiske frames\" src=\"https:\/\/player.vimeo.com\/video\/164808071?dnt=1&amp;app_id=122963\" width=\"696\" height=\"392\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h5 class=\"wp-block-heading\">Hvordan l\u00e6rer studerende at skabe bedre billeder? Det sp\u00f8rgsm\u00e5l dr\u00f8ftede associate professor Irina Patkanian med en kollega fra Brooklyn College, og de kom op med en huskeregel: FEMO. Et simpelt princip, der hj\u00e6lper med at skabe mere filmiske frames. Dorte Granild pr\u00e6senterer princippet, der er anvendeligt i b\u00e5de produktion og analyse af levende billeder. FEMO er \u00e9n n\u00f8gle til at forst\u00e5 visuel energi, dybde og modstand. Og \u00e9t bud p\u00e5, hvorfor vi husker nogle billeder, mens andre glemmes.<\/h5>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-text-align-center\"><strong>* * *<\/strong><\/p>\n<\/blockquote>\n\n\n\n<h2 class=\"wp-block-heading\">Fakta<\/h2>\n\n\n\n<ul><li>Manuskript:\u00a0Dorte Granild<\/li><li>Lyd og redigering:\u00a0Jan Oxholm<\/li><\/ul>\n\n\n\n<p>Tak til:&nbsp;<a href=\"http:\/\/irinapatkanian.com\/\">Irina Patkanian<\/a>&nbsp;&amp;&nbsp;<a href=\"http:\/\/flemminglaursen.com\/\">Flemming Laursen<\/a><\/p>\n\n\n\n<p>Uddrag fra:<span style=\"font-weight: 400;\">&nbsp;<\/span><i><span style=\"font-weight: 400;\">Mad Men<\/span><\/i><span style=\"font-weight: 400;\"> I:13 (Matthew Weiner, AMC 2007-2015, \u00a9 Lionsgate Television, Weiner Bros., AMC &amp; U.R.O.K. Productions), <\/span><i><span style=\"font-weight: 400;\">Kill Bill 1<\/span><\/i><span style=\"font-weight: 400;\"> (Quentin Tarantino, 2003, \u00a9 Miramax, A Band Apart &amp; Super Cool Manchu)<\/span><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">The Knick<\/span><\/i><span style=\"font-weight: 400;\"> I:7 (<\/span><span style=\"font-weight: 400;\">Jack Amiel and Michael Begler, 2014 -, \u00a9 Anonymous Content &amp; Cinemax), <\/span><i><span style=\"font-weight: 400;\">In the Mood for Love<\/span><\/i><span style=\"font-weight: 400;\"> (Wong Kar-Wai, 2000, \u00a9 Block 2 Pictures, Jet Tone Production &amp; Paradis Films), <\/span><i><span style=\"font-weight: 400;\">La vie d\u2019Ad\u00e8le<\/span><\/i><span style=\"font-weight: 400;\"> (Abdellatif Kechiche, 2013, \u00a9 Quat\u2019sous Films &amp; Wild Bunch), <\/span><i><span style=\"font-weight: 400;\">Her<\/span><\/i><span style=\"font-weight: 400;\"> (Spike Jonze, 2013, \u00a9 Annapurna Pictures), <i>Breaking Bad <\/i>(Vince Gilligan, 2008-13<\/span><span style=\"font-weight: 400;\">,\u00a9 High Bridge Productions, Gran Via Productions, Sony Pictures Television &amp; AMC),&nbsp;<\/span><i><span style=\"font-weight: 400;\">Frances Ha<\/span><\/i><span style=\"font-weight: 400;\"> (<\/span><span style=\"font-weight: 400;\">Noah Baumbach, 2012, \u00a9 RT Features, Pine District Pictures &amp; Scott Rudin Productions), <\/span><i><span style=\"font-weight: 400;\">Stories We Tell<\/span><\/i><span style=\"font-weight: 400;\"> (<\/span><span style=\"font-weight: 400;\">Sarah Polley<\/span><span style=\"font-weight: 400;\">, 2012, \u00a9 National Film Board of Canada)<\/span><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Hugo<\/span><\/i><span style=\"font-weight: 400;\"> (Martin Scorsese, 2011, \u00a9 Paramount Pictures, GK Films &amp; Infinitum Nihil), <\/span><i><span style=\"font-weight: 400;\">Friday the 13th<\/span><\/i><span style=\"font-weight: 400;\"> (Sean S. Cunningham, 1980, \u00a9 Paramount Pictures, Warner Bros., Georgetown Productions Inc. &amp; Sean S. Cunningham Films), <\/span><i><span style=\"font-weight: 400;\">Blow out<\/span><\/i><span style=\"font-weight: 400;\"> (Brian de Palma, 1981, \u00a9 Cinema 77, Geria Productions, Filmway Pictures &amp; Viscount Associates) og <\/span><i><span style=\"font-weight: 400;\">Lost in Translation<\/span><\/i><span style=\"font-weight: 400;\"> (Sofia Coppola, 2003, \u00a9 Focus Features, TFC, American Zoetrope &amp; Elemental Films).<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>VIDEO-ESSAY. Hvordan l\u00e6rer studerende at skabe bedre billeder? Det sp\u00f8rgsm\u00e5l dr\u00f8ftede associate professor Irina Patkanian med en kollega fra Brooklyn College, og de kom op med en huskeregel: FEMO. Et simpelt princip, der hj\u00e6lper med at skabe mere filmiske frames. Dorte Granild pr\u00e6senterer princippet, der er anvendeligt i b\u00e5de produktion og analyse af levende billeder. FEMO er \u00e9n n\u00f8gle til at forst\u00e5 visuel energi, dybde og modstand. Og \u00e9t bud p\u00e5, hvorfor vi husker nogle billeder, mens andre glemmes.<\/p>\n","protected":false},"author":4,"featured_media":3260,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[227],"tags":[44],"_links":{"self":[{"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/posts\/3259"}],"collection":[{"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/comments?post=3259"}],"version-history":[{"count":0,"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/posts\/3259\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/media\/3260"}],"wp:attachment":[{"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/media?parent=3259"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/categories?post=3259"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/tags?post=3259"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}