{"id":3084,"date":"2016-03-12T12:43:58","date_gmt":"2016-03-12T10:43:58","guid":{"rendered":"http:\/\/www.16-9.dk\/?p=3084"},"modified":"2020-05-22T16:20:22","modified_gmt":"2020-05-22T14:20:22","slug":"moving-pictures","status":"publish","type":"post","link":"http:\/\/www.16-9.dk\/3\/2016\/03\/moving-pictures\/","title":{"rendered":"Moving Pictures: Visual References and Artistry in the Works of David Lynch"},"content":{"rendered":"\n<figure class=\"wp-block-embed-vimeo wp-block-embed is-type-video is-provider-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Moving Pictures\" src=\"https:\/\/player.vimeo.com\/video\/158719887?dnt=1&amp;app_id=122963\" width=\"696\" height=\"392\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h5 class=\"wp-block-heading\">The renowned film and television director David Lynch began his career as a painter, and in this video-essay, \u201cMoving Pictures,\u201d Andreas Halskov explores the visual references and artistry in Lynch\u2019s narrative films and television series.&nbsp;When making his first short films, Lynch said that he wanted to make \u201cmoving paintings,\u201d and Halskov argues that his films and television series have a painterly quality and that they include a number of more or less explicit allusions to the works of visual artists like Ren\u00e9 Magritte, Francis Bacon, Edward Hopper, Vilhelm Hammersh\u00f8i and Salvador Dal\u00ed. Halskov argues that the different painterly images and references serve at least three potential functions, and that they remind us of the profoundly visual nature and heritage of Lynch\u2019s productions. This video-essay concludes the small series on David Lynch here in <em>16:9<\/em>.<\/h5>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-text-align-center\"><strong>* * *<\/strong><\/p>\n<\/blockquote>\n\n\n\n<h2 class=\"wp-block-heading\">Facts<\/h2>\n\n\n\n<ul><li>Screenplay:\u00a0Andreas Halskov<\/li><li>Production and editing: Jan Oxholm<\/li><\/ul>\n\n\n\n<p>Excerpts from:&nbsp;<em>Six Figures Getting Sick <\/em>(1966) \u00a9 Lynch, Absurda\/Ryko, <em>Twin Peaks <\/em>(1999: \u201cPilot\u201d) &nbsp;\u00a9 Lynch\/Frost, ABC\/CBS Home Entertainment,<em> Blue Velvet <\/em><em>(1986)<\/em>&nbsp;\u00a9 Lynch, De Laurentiis, <em>Eraserhead <\/em>(1977) \u00a9 Lynch, Universal Studios Home Entertainment, <em>Lost Highway <\/em>(1997) \u00a9 Lynch, Universal Studios Home Entertainment, <em>Mulholland Dr. <\/em>(2001) \u00a9 Lynch, Criterion,&nbsp; <em>Un chien andalou <\/em>(1929) \u00a9 Bu\u00f1uel &amp; Dal\u00ed, Transflux Films, <em>Laura <\/em>(1944) \u00a9 Preminger, 20<sup>th<\/sup> Century Fox, <em>The Bride of Frankenstein <\/em>(1935) \u00a9 Whale, Universal Studios Home Entertainment, <em>Suspiria <\/em>(1977) \u00a9 Argento, Blue Underground, <em>L&#8217;ann\u00e9e derni\u00e8re \u00e0 Marienbad&nbsp;<\/em>(1961) \u00a9 Resnais, Studio Canal, <em>La pointe courte<\/em>&nbsp;(1955) \u00a9 Varda, Criterion, <em>Persona <\/em>(1966) \u00a9 Bergman, Criterion, \u201cMamma Mia\u201d (1975) \u00a9 Hallstr\u00f6m, Universal UK, <em>Kiss Me Deadly <\/em>(1955) \u00a9 Aldrich, Criterion, \u201c<em>New York Movie<\/em>&nbsp;(1939)\u201d \u00a9 Edward Hopper, \u201cChop Suey\u201d (1929) \u00a9 Edward Hopper, \u201cLa condition humaine\u201d (1935) \u00a9 Ren\u00e9 Magritte, \u201cDelcacomania\u201d (1966) \u00a9 Ren\u00e9 Magritte, \u201cHead 1 \/Head 2\u201d (1947-1948) \u00a9 Francis Bacon, \u201cInteri\u00f8r, Strandgade 30\u201d(1905) \u00a9 Vilhelm Hammersh\u00f8j, \u201cVietnam Napalm\u201d (1972) \u00a9 Nick Ut\/AP, still af Sergei Eistenstein, wiki commons, &#8220;Twin Peaks Meets Edward Hopper&#8221; (2015)&nbsp;\u00a9&nbsp;Rinaldo Zoontjes.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>VIDEO-ESSAY. The renowned film and television director David Lynch began his career as a painter, and in this video-essay Andreas Halskov explores the visual references and artistry in Lynch\u2019s narrative films and television series.<\/p>\n","protected":false},"author":2,"featured_media":3085,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[227],"tags":[44],"_links":{"self":[{"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/posts\/3084"}],"collection":[{"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/comments?post=3084"}],"version-history":[{"count":0,"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/posts\/3084\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/media\/3085"}],"wp:attachment":[{"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/media?parent=3084"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/categories?post=3084"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/tags?post=3084"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}