{"id":2601,"date":"2015-10-28T12:15:55","date_gmt":"2015-10-28T10:15:55","guid":{"rendered":"http:\/\/www.16-9.dk\/?p=2601"},"modified":"2020-05-23T13:50:12","modified_gmt":"2020-05-23T11:50:12","slug":"a-mere-formality","status":"publish","type":"post","link":"http:\/\/www.16-9.dk\/3\/2015\/10\/a-mere-formality\/","title":{"rendered":"A Mere Formality"},"content":{"rendered":"\n<figure class=\"wp-block-embed-vimeo wp-block-embed is-type-video is-provider-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"A Mere Formality\" src=\"https:\/\/player.vimeo.com\/video\/141318087?dnt=1&amp;app_id=122963\" width=\"696\" height=\"392\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h5 class=\"wp-block-heading\">Hou Hsiao-Hsien is a great, but somewhat underappreciated Taiwanese auteur, known for his long takes and slow pacing. In this video-essay, Adrian Martin and Cristina \u00c1lvarez L\u00f3pez explore his unique style as seen in a scene from the 1995-film <em>Good Men, Good Women<\/em>. Mirroring the tempo and attention to detail in <em>Good Men, Good Women<\/em>, this video-essay tries to capture the very essence of Hou Hsiao-Hsien\u2019s aesthetic.<\/h5>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-text-align-center\"><strong>* * *<\/strong><\/p>\n<\/blockquote>\n\n\n\n<h2 class=\"wp-block-heading\">Facts<\/h2>\n\n\n\n<ul><li>Screenplay:\u00a0Adrian Martin &amp; Cristina \u00c1lvarez L\u00f3pez.<\/li><li>Production and editing: Adrian Martin &amp; Cristina \u00c1lvarez L\u00f3pez.<\/li><\/ul>\n\n\n\n<p>Excerpts from:&nbsp;<em>Good Men, Good Women&nbsp;<\/em>(1995) \u00a9 Hou, Fox Lorber.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>VIDEO-ESSAY. Hou Hsiao-Hsien is a great, but somewhat underappreciated Taiwanese auteur, known for his long takes and slow pacing. In this video-essay, Adrian Martin and Cristina \u00c1lvarez L\u00f3pez explore his unique style as seen in a scene from the 1995-film <em>Good Men, Good Women<\/em>. Mirroring the tempo and attention to detail in <em>Good Men, Good Women<\/em>, this video-essay tries to capture the very essence of Hou Hsiao-Hsien\u2019s aesthetic.<\/p>\n","protected":false},"author":35,"featured_media":2602,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14,227],"tags":[35],"_links":{"self":[{"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/posts\/2601"}],"collection":[{"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/users\/35"}],"replies":[{"embeddable":true,"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/comments?post=2601"}],"version-history":[{"count":0,"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/posts\/2601\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/media\/2602"}],"wp:attachment":[{"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/media?parent=2601"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/categories?post=2601"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/tags?post=2601"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}