{"id":11768,"date":"2022-11-11T13:12:44","date_gmt":"2022-11-11T12:12:44","guid":{"rendered":"http:\/\/www.16-9.dk\/?p=11768"},"modified":"2022-11-11T13:12:51","modified_gmt":"2022-11-11T12:12:51","slug":"169-seconds-parasite","status":"publish","type":"post","link":"http:\/\/www.16-9.dk\/3\/2022\/11\/169-seconds-parasite\/","title":{"rendered":"169 Seconds: <em>Parasite<\/em> &#8211; Props at the Periphery of Perception"},"content":{"rendered":"\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"169 Seconds: Parasite - Props at the Periphery of Perception\" src=\"https:\/\/player.vimeo.com\/video\/767253740?dnt=1&amp;app_id=122963\" width=\"696\" height=\"392\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<h5 class=\"wp-block-heading\">Bong Joon-ho\u2019s <em>Parasite<\/em> is a film that pays obsessive attention to its <em>mise-en-sc\u00e8ne<\/em>. In this installment of 169 Seconds, Mathias Bonde Korsgaard explores how the film\u2019s props subtly assist in characterizing the social status of the characters by creating a distinct opposition between global and local brands.<\/h5>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-text-align-center\"><strong>* * *<\/strong><\/p>\n<\/blockquote>\n\n\n\n<h2 class=\"wp-block-heading\">Fakta<\/h2>\n\n\n\n<ul><li>Manuscript: Mathias Bonde Korsgaard<\/li><li>Editing: Mathias Bonde Korsgaard<\/li><li>Design: Thomas Schwartz Larsen<\/li><li>Music: Mathias Bonde Korsgaard<\/li><\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Film<\/h3>\n\n\n\n<p><em><\/em><em>Parasite<\/em> (2019), dir. Bong Joon-ho<\/p>\n","protected":false},"excerpt":{"rendered":"<p>169 SECONDS. Bong Joon-ho&rsquo;s <em>Parasite<\/em> is a film that pays obsessive attention to its <em>mise-en-sc&egrave;ne<\/em>. In this installment of 169 Seconds, Mathias Bonde Korsgaard explores how the film&rsquo;s props subtly assist in characterizing the social status of the characters by creating a distinct opposition between global and local brands.<\/p>\n","protected":false},"author":8,"featured_media":11770,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[227],"tags":[409],"_links":{"self":[{"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/posts\/11768"}],"collection":[{"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/comments?post=11768"}],"version-history":[{"count":0,"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/posts\/11768\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/media\/11770"}],"wp:attachment":[{"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/media?parent=11768"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/categories?post=11768"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.16-9.dk\/3\/wp-json\/wp\/v2\/tags?post=11768"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}